It is well-plotted with several twisting snakes in the road, thanks to Alec Coppel's script derived from his novel. Jolly good stuff.Firstly I know letterboxd changes these things too often for commenting on posters to be worthwhile but really "the most sensational action packed thriller of the year" is the poster line?The basic plot here is really promising (from the writer of Vertigo) but this film sadly doesn't deliver on that potential.

(The shot edits are in many cases incredibly bad.) ... Dog the Bounty Hunter recalls how beloved wife Beth 'wouldn't look at him' at the end of her life because 'she knew' he had given up hope Corrections are always welcome, email is preferred: kevin@royalbooks.com.When he discovers about her new boyfriend Mados (Herbert Lom) and his uncertain history, Tom wants to end the relationship, subsequent in a battle that leads to Mados' unintentional demise. Wilfred Hyde-White makes an impression as a twinkly mortuary attendant, that twinkle helping to make for a satisfying denouement.This film begins unconventionally, with a voice-over narrator announcing the cast--we see no on-screen credits until the end.

A series of odd events begin the story and it grabs your attention. Nonetheless, it's worth seeing--beautifully shot in the way of mid-level British drama in the period, with a very good cast led by John Mills. Starring John Mills, Phyllis Calvert and Eileen Moore.Formulaic, yet surprising and never boring, lighter NOIR with unusual locations and comic situation approaches worthy of Alfred Hitchcock.An attempt to catalogue all the films shown on Talking Pictures TV in the UKJohn Mills accidentally kills Herbert Lom (poor Herbert Lom, forever the sneering shifty foreigner) and tries to cover his tracks. Dreading the worst, Tom attempts to cover up this disastrous accident, and it appears to be going well, until the his ethics…Mr. Everything will work out just fine, right?John Mills isn't a believable killer, but this clunky and uneven British thriller from the 50s needs us to think that his Tom Ripleyesque cunning means he can get away with murder, if it wasn't for the Crime and Punishment guilt driving him to madness, but a very calm and reasonable John Mills madness at that.Herbert Lom looks incredibly young in a minor role that is perfect for his brand of serious faced bad guys while Mills performs beautifully as an empathetic every-man you can easily put your self in his shoes.Unless that quote was edited down from with "the most sensational action packed thriller of the year was Strangers in the train, why don't you go and watch that again or any one of a dozen other more action packed films than this one" then some serious payola was involved.Although I enjoyed this one, it's loaded with problems, mostly in the form of too many coincidences and too much unbelievability.
E, mesmo que ainda não saiba neste momento, sua vida está em vias de se transformar numa constante tortura…Perky little thriller that would have been something special in rather more imaginative hands. Worth a look.Logo na primeira cena, vemos o encerramento de um julgamento, onde o réu é o espectador. A Hitchcock would've been too much to ask for, but even a Boulting or an Asquith or a Launder would have injected a touch more personality into the material.Adapted from the novel of the same name by Alec Coppel, the story concerns Tom Denning (John Mills), a wealthy airline constructer, but also an excessively caring father to his daughter, Liz (Eileen Moore).John Mills, Phylis Calvert, Sam Wanamaker head up the cast of this wonderful British crime drama/mystery.


E, mesmo que ainda não saiba neste momento, sua vida está em vias de se transformar numa constante tortura…Perky little thriller that would have been something special in rather more imaginative hands. When he lets his wife into his secret the two start making enquiries, possibly making things worse.I wonder what Hitchcock could have done with this if he'd directed with Dirk Bogart or even James Mason in the lead. (The shot edits are in many cases incredibly bad.) He gives Mados a wicked uppercut* and sends him stumbling backwards, where he falls and hits his head in the fireplace, killing him. Starring John Mills, Phyllis Calvert and Eileen Moore.Formulaic, yet surprising and never boring, lighter NOIR with unusual locations and comic situation approaches worthy of Alfred Hitchcock.An attempt to catalogue all the films shown on Talking Pictures TV in the UKJohn Mills accidentally kills Herbert Lom (poor Herbert Lom, forever the sneering shifty foreigner) and tries to cover his tracks.

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