Mr. Cole was a great influence on other great dancers we know, such as, Bob Fosse, Jerome Robbins, and Peter Gennaro.Mr. His assistant choreographer was Jeanette Bates. 27 April 1914, New Brunswick, New Jersey, USA, d. 17 February 1974, Hollywood, California, USA. Alive and Kicking (Jan 17, 1950 - Feb 25, 1950) Performer: Jack Cole ["I Didn't Want Him" Dancer, Abou, "Love It Hurts So Good" Dancer, "Propinquity" Dancer, "Cole Scuttle Blues" Dancer]

On COLE: article— Kisselgoff, Anna, "Recalling an Innovator of Film Choreography," in the New York Times , section C, 7 February 1994. Credited as one of the primary influences in show business choreography, Jack Cole combined modern dance, jazz, and ethnic—particularly oriental—movement into a unique style that he exploited in a variety of commercial settings.
Throughout, the play a romance love affair even though the one character is engaged to be married. He was also an avid devotee of American Vernacular dances such as the Charleston and the American Lindy hop. Cole set the bar high with his understanding of dance and its origin/history, he learnt and understood other styles/techniques, from Modern, Caribbean, to Oriental.Reiko Sato, Patricia Dunn, Wonci Lui, Jack Dodds and Marc Wilder, in Kismet, 1955, performing in “Not Since Nineveh.”Dances and Musical Numbers Staged By Jack Cole.Even when Mr. Cole was choreographing his numbers, he would at times retain artistic control of filming, set designs and wardrobe. Jack Cole Biography by AllMusic + Follow Artist. The eroticism of much of his work, especially in the use he made of male dancers, would have found a more open audience in the 70s, the decade in which he died. Jacob's Pillow 8,995 views. Credited as one of the primary influences in show business choreography, Jack Cole combined modern dance, jazz, and ethnic—particularly oriental—movement into a unique style that he exploited in a variety of commercial settings.

Nevertheless, the musicals—which played at theaters only six blocks away from each other—helped to launch the bright and legendary Broadway careers of Verdon and Fosse. Reiko Sato, Patricia Dunn, Jack Dodds and Marc Wilder reprised their roles in the 1955 film. Cole had a back ground in East Indian dancing and styled much of his work after another dancer named Bhaskar. He quickly joined the Denishawn Company and also performed with the Humphrey-Weidman Group before leaving the modern dance world to pursue a commercial dance career. Winner of Three Tony Awards. In his 1984 Cole biography, “Unsung Genius,” Loney quotes music arranger Peter Matz: “The persona Marilyn showed in her film musicals was Jack Cole. Later shows in New York were Jamaica (1957), A Funny Thing Happened On The Way To The Forum (1962), Foxy (1964) and Man Of La Mancha (1965). The show opened on January 17th, 1950—just three days before Bob Fosse’s Broadway debut. Mr. Cole was the choreographer for the 1944 film Kismet. Dances and Musical Numbers Staged By Jack Cole. Other films include Three For The Show, Gentlemen Marry Brunettes (both 1955), Les Girls (1957) and again with Monroe on Let’s Make Love (1960).Concurrent with his film work, Cole worked on stage productions; frequently his numbers were the best things in otherwise indifferent shows. Other than Monroe, Cole also aided the progress of dancers in the theatre, among them Carol Haney and Gwen Verdon, the latter’s professional relationship with him lasting several years. In 1941 he was headhunted to dance in a forgotten musical called Moon Over Miami. Cole's importance outweighs the films—and, indeed, the stage shows—he worked on. In addition to his role as choreographer he also directed Donnybrook (1964) and Kean (1964), both of which were flops. This production was a musical about three cousins who fight to convert thier inherited Texas ranch into a boarding house for active soldiers' wives. Jack Cole (originally John Ewing Richter) was born on April 27 th, 1911 in New Brunswick, New Jersey.Following his parents’ divorce, Cole ran away from home to study dance with Rush St. Denis and Ted Shawn. Cole is credited with choreographing and/or directing the stage musicals Alive and Kicking, Magdalena, Carnival in Flanders, Zenda, Foxy, Kismet, A Funny Thing Happened on the Way to the Forum, Kean, Donnybrook!, Jamaica, and Man of La Mancha. Jack Cole: Gentlemen Prefer Blondes. 27 April 1914, New Brunswick, New Jersey, USA, d. 17 February 1974, Hollywood, California, USA. He also worked on the 1955 film version of Kismet. Before forming his own dance company, Cole worked with various dance troupes displaying an original talent.… Read Full Biography. He is known for his work on Gentlemen Prefer Blondes (1953), River of No Return (1954) and Moon Over Miami (1941). Dances and Musical Numbers Staged by Jack Cole; MusicalOriginal. Cole describes his passion for dance by drawing from other cultures.Featured image: Jack Cole – Photo from the web.Reiko Sato, Patricia Dunn, Jack Dodds and Marc Wilder reprised their roles in the 1955 film.He performed authentic Indian dance technique to swing tempos, which he referred to as “Hindu Swing,” such as the “Not Since Nineveh” dance number.

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